By Laurie Adams
Acceptable for one-semester paintings background surveys or historically-focused artwork appreciation periods, A heritage of Western Art, 5th version, combines sound scholarship, lavish visuals, and a full of life narrative to supply scholars with an available and fascinating creation to paintings heritage. targeting the Western canon, the textual content provides a compelling chronological narrative from prehistory to the current. A non-Western complement, World perspectives: themes in Non-Western Art, addresses particular parts of non-Western paintings and augments the Western chronology by means of illustrating moments of thematic relationships and cross-cultural touch.
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Extra info for A History of Western Art
Pigments are colored powders made from organic substances, such as plant and animal matter, or inorganic substances, such as minerals and semiprecious stones. Cave artists either applied powdered mineral colors directly to damp walls or mixed their pigments with a liquid, the medium or binder, to make them adhere to dry walls. Technically, the medium is a liquid in which pigments are suspended (but not dissolved). The term vehicle is often used interchangeably with the term medium. If the liquid binds the pigment particles together, it is referred to as the binder or binding medium.
The designation of these periods as Stone Age derives from the use of stone tools and weapons. As technology developed, metal replaced stone for many purposes. Then, as now, technological and social change went hand in hand, bringing the Stone Age to a gradual close. WALES Chauvet Ardèche Valley Cosquer La Madeleine Le Tuc d’Audoubert Ariège ITALY Rome MEDITERRANEAN SEA SICILY Paleolithic (c. 1,500,000–c. c. in Europe, our own subspecies, Homo sapiens sapiens (literally “wise wise man”), had supplanted Homo sapiens, who had developed complex cultures.
Jan van Eyck, Man in a Red Turban, 1433. • Realistic: depicting figures and objects to resemble their actual appearances, rather than in a distorted or abstract way (see fig. 3). 8. Meret Oppenheim, Fur-Covered Cup, Saucer, and Spoon (Le Déjeuner en Fourrure), 1936. 3. ”), 1928. indd 20 9/3/10 3:39:36 PM s t y l i s t i c t e r m i n o l o g y 21 • Illusionistic: depicting figures, objects, and the space they occupy so convincingly that an appearance of reality is achieved (see fig. 3). • Romanticized: depicting its subject in a nostalgic, emotional, fanciful, or mysterious way (see fig.