By Ashley Kahn
Few albums within the canon of renowned song have had the impact, resonance, and persistence of John Coltrane's 1965 vintage A Love Supreme-a checklist that proved jazz used to be a becoming medium for non secular exploration and for the expression of the elegant. Bringing a similar clean and interesting method that characterised his significantly acclaimed Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn tells the tale of the genesis, construction, and aftermath of this vintage recording. that includes interviews with multiple hundred musicians, manufacturers, acquaintances, and kin; unpublished interviews with Coltrane and bassist Jimmy Garrison; and rankings of never-before-seen photos, A Love Supreme balances biography, cultural context, and musical research in a passionate and revealing portrait.
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Extra resources for A Love Supreme: The Story of John Coltrane's Signature Album
The polka craze must have been considered a stunning development, given how quickly news traveled to the United States after the European fad emerged. Polka madness hit Paris and London in March 1844. No more than two months later, on May 2, an advertisement in the New York Daily Tribune touted the latest issue of a new weekly newspaper, The Picture Gallery. ”21 The polka craze hit New York with blinding speed. ’ . . ”23 The very next week, polka was featured in a Broadway show at Niblo’s Garden, which attracted New York’s middle and better-off working classes, people who could afford the fifty-cent admission charge.
Although it’s a good outward indicator, the location of the buttons actually isn’t the crucial distinction. When nineteenthcentury European tinkerers were inventing these wacky instruments, they tried differing arrangements of buttons and keys to allow a player to make music. Most of the early squeezebox instruments were “push-pull,” meaning a different Millie Kaminski playing the concertina at Martin’s Tap in New Berlin, Wisconsin note was produced depending on whether a player was CO N C E RT I N A O R ACCO R D I O N ?
By dancing the polka, the non-elites of the 1840s were defying the customs and rules set by the waning aristocracy that still repressed them. At the time, revolutionary tides were swelling throughout Europe, and the polka was a dance to express rebellion, self-validation, and liberty in the burgeoning, changing industrial society. Thus, it seems the polka fad emerged simultaneously among the middle and working classes and as a vogue trend in elite ballrooms. The best evidence indicates the fad likely began in Prague in 1835, spread to nearby Vienna in 1839, and then moved to Paris and London in 1844.